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期刊名称: Theatre Research International
Volume:22    Issue:1        Page:4-18
ISSN:0307-8833,1474-0672

Sociocultural Analysis: National and Cross-cultural Performance期刊论文

作者: Shevtsova Maria
DOI:10.1017/S0307883300015893

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页码: 4-18
被引频次: 2
出版者: Cambridge University Press,OXFORD UNIV PRESS
期刊名称: Theatre Research International
ISSN: 0307-8833,1474-0672
卷期: Volume:22    Issue:1
语言: English
摘要: Provides an analysis of three performances which shows how sociocultural analysis of theatrical performances are contingent on the context defined by its production: Molière's "Dom Juan" directed at the Comédie-Française by Jacques Lasalle (1993); Louise Doutreligne's "Don Juan d'origne" directed by Jean-Luc Paliès (1994) at the Café de la Danse; Chekhov's "The Three Sisters" directed by Nika Kossenkova and Pascal Larue at the Cartoucherie de Vincennes (1993). Draws extensively on the philosophy of Russian theorist Mikhail Bakhtin, in particular his idea of the "chronotope," to show how sociohistorical conditions offer a context for the interpretation of dramatic performances.
相关主题: THEATER, mise en scène, French literature, chronotope, Bakhtin, Mikhail Mikhailovich, sign, Doutreligne, Louise, theatrical production, 1600-1699, drama, Don Juan d'origine, Molière, Chekhov, Anton Pavlovich, Tri sestry, Dom Juan, social context, Theater, Semiotics,

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